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03/22/2018
By Katharine Webster

It was a 鈥淓ureka!鈥� moment for two history students researching Portuguese immigration to Lowell for an award-winning museum exhibit.

Kady Phelps and Molly Mahoney were sorting through documents at the John F. Kennedy Presidential Library in Boston a year ago when they discovered a 1958 letter from Firmo Correa, a leader in Lowell鈥檚 Portuguese community, to Kennedy, then a U.S. senator.聽

Correa asked Kennedy to help lift strict limits on Portuguese immigration so that refugees from a natural disaster 鈥� the eruption of Capelinhos Volcano and continuing earthquakes on Faial Island in the Azores 鈥� could enter the United States. Correa wrote movingly of the island鈥檚 destruction and the refugees鈥� starvation and suffering, signing himself 鈥測our humble Portuguese friend.鈥�

Kennedy and Sen. John Pastore of Rhode Island co-sponsored the Azorean Refugee Act of 1958, which passed within months and was renewed in 1960. Some 12,000 people arrived under the act, and most settled in New England mill towns like Lowell that had well-established Portuguese communities.

But no one knew what had prompted Kennedy to act 鈥� until Phelps and Mahoney found the letter.

鈥淲e knew we had something unique,鈥� says Mahoney, a senior history major in the bachelor鈥檚-to-master鈥檚 program. 鈥淣obody had known about this letter, and we knew the community would want to know.鈥�

Sure enough, when the exhibit premiered at the Boott Cotton Mills Museum in December for a conference on Portuguese migration and mill work, several people from Lowell told Phelps and Mahoney that they鈥檇 known Correa 鈥� but he鈥檇 never mentioned writing to Kennedy.聽

Phelps and Mahoney won the Excellence in Students Cultural Heritage Award for the exhibit from the Lowell National Historical Park and the Lowell Heritage Partnership.

Phelps and Mahoney first met in fall 2016. Both had answered an e-mail from University Professor Robert Forrant, sent the previous spring, seeking students to help him create a traveling exhibit.聽

The pair began by digging through 50 boxes of musty immigration records that came from Lowell City Hall. Some documents involved immigrants who were still alive. Phelps and Mahoney tried to track them down and contacted the descendants of others.聽

They reached out to more Portuguese-Americans through St. Anthony of Padua Catholic Church, the Portuguese American Civic League, the Holy Ghost Society, social clubs and businesses. And they continued their archival research at the , City Hall and the JFK Library 鈥� where Correa鈥檚 letter crystalized their ideas for the exhibit.

鈥淲e knew we wanted to focus on people鈥檚 personal histories and relate them to broader themes,鈥� Mahoney says.

鈥淲e didn鈥檛 want to retell the story of the mills,鈥� adds Phelps 鈥�17, who will complete her master鈥檚 in history this May.

Personal Journey

For Phelps, the project also offered a chance to further explore her family history. Her maternal great-grandparents, Manuel and Hilda Pestana, were among the earliest wave of immigrants to Lowell, arriving in 1910 from the Madeira Islands. One of their sons, Phelps鈥� grandfather Henry Pestana, began working in the mills at age 16 and eventually became a warp rigger.聽

Henry Pestana also was an enthusiastic amateur historian, Phelps says. He contributed to University Historian Mary Blewett鈥�s book 鈥淭he Last Generation: Work and Life in the Textile Mills of Lowell,鈥� and in retirement he helped the staff of the newly opened Lowell National Historical Park figure out how to get the looms running in the Boott Cotton Mills Museum, then became a permanent volunteer.

He also documented his family鈥檚 life in his diary and thousands of photos, a few of which are included in one of the exhibit panels.

鈥淗e was an antiquarian of his time,鈥� says Phelps. 鈥淗is love of history became a godsend. It鈥檚 a historian鈥檚 dream.鈥�

Mahoney, who grew up in Lowell, also uncovered a family connection. When discussing the project with her father, she learned that his longtime friend Celestino 鈥淪al鈥� Caires was Portuguese. One of Sal鈥檚 nephews had assembled a family history in photos, documents and newspaper clippings 鈥� and handed Mahoney and Phelps the entire binder. The Caires family story became another panel.

Mahoney and Phelps met with Forrant every two weeks to talk over what they were finding in their research. He made suggestions but treated them like professionals. He also provided them with giant sticky notes they could use to organize the photos, documents and text for each panel. Graphic designer Kelly Freitas 鈥�16 refined and executed the final design. The 厂补补产听Center for Portuguese Studies provided funding for the project.

鈥淧rofessor Forrant told us we were history detectives. I thought that was really cool,鈥� Mahoney says. 鈥淗e gave us a lot of freedom.鈥�

Lowell鈥檚 Portuguese-American community turned out in force for the formal opening of the exhibit in University Crossing in February. The exhibit will remain there until the end of March and then go to UMass Dartmouth, which houses the Center for Portuguese Studies and Culture and the Ferreira-Mendes Portuguese American Archives. It will also be displayed at the Lowell Folk Festival this summer.

Mahoney hopes it will find a permanent home at the Boott Cotton Mills Museum, where she attended summer camp for years and began volunteering when she was 13 鈥� and where she plans to work as a museum teacher after graduation.

Phelps, who volunteers for the Concord Museum, hopes to work there after she completes her master鈥檚 degree in December. Creating the Portuguese exhibit was great experience, she says.

鈥淭his allowed us to work with primary sources,鈥� she says. 鈥淎nd it confirmed for me that I love museum work.鈥�